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$40 USD / hour
Flag of CHINA
shenzhen, china
$40 USD / hour
It's currently 7:28 PM here
Joined August 12, 2018
0 Recommendations

Jason Z.

@jasonzou0906

 0.0 (0 reviews)
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$40 USD / hour
Flag of CHINA
shenzhen, china
$40 USD / hour
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Professional 3D Game Artist

I've been working as game 3D artist for more than 10 years. In the past 5 years, I worked in Tencent Games, one of the top class gaming companies. I have worked with well-known games in the industries, such as PUBG MOBILE, Cross Fire, Call of Duty, and Against War. I have the skills to provide 3D state-of-the-art environments, assets, vehicles, buildings and props. The following are the skill-sets that I will be able to provide you, and I hope I will have the opportunity to work with you! My skill sets include: 3D Art Services: - 3D Modeling and texturing service - 3D Rendering - 3D Environments - Unity and Unreal Sense Editor You are very welcome to contact me anytime. If you are interested, I can send you my portfolio with my past projects. Please feel free to let me know if you have any questions. I'm excited to work with you!
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Portfolio

4587532
In this portfolio, I used different tools to create these exceptional 3D Environments. These tools include 3DMax, Substances, and Zbrush. Full 3D stages and environment art works are presented. Full PBR texture pipeline and the latest tools and techniques for cloth sim and realistic hair and fur shader development are supported.
3D Environments
In this portfolio, I used different tools to create these exceptional 3D Environments. These tools include 3DMax, Substances, and Zbrush. Full 3D stages and environment art works are presented. Full PBR texture pipeline and the latest tools and techniques for cloth sim and realistic hair and fur shader development are supported.
3D Environments
In this portfolio, I used different tools to create these exceptional 3D Environments. These tools include 3DMax, Substances, and Zbrush. Full 3D stages and environment art works are presented. Full PBR texture pipeline and the latest tools and techniques for cloth sim and realistic hair and fur shader development are supported.
3D Environments
In this portfolio, I used different tools to create these exceptional 3D Environments. These tools include 3DMax, Substances, and Zbrush. Full 3D stages and environment art works are presented. Full PBR texture pipeline and the latest tools and techniques for cloth sim and realistic hair and fur shader development are supported.
3D Environments
In this portfolio, I used different tools to create these exceptional 3D Environments. These tools include 3DMax, Substances, and Zbrush. Full 3D stages and environment art works are presented. Full PBR texture pipeline and the latest tools and techniques for cloth sim and realistic hair and fur shader development are supported.
3D Environments
In this portfolio, I used different tools to create these exceptional 3D Environments. These tools include 3DMax, Substances, and Zbrush. Full 3D stages and environment art works are presented. Full PBR texture pipeline and the latest tools and techniques for cloth sim and realistic hair and fur shader development are supported.
3D Environments
In this portfolio, I used different tools to create these exceptional 3D Environments. These tools include 3DMax, Substances, and Zbrush. Full 3D stages and environment art works are presented. Full PBR texture pipeline and the latest tools and techniques for cloth sim and realistic hair and fur shader development are supported.
3D Environments
In this portfolio, I used different tools to create these exceptional 3D Environments. These tools include 3DMax, Substances, and Zbrush. Full 3D stages and environment art works are presented. Full PBR texture pipeline and the latest tools and techniques for cloth sim and realistic hair and fur shader development are supported.
3D Environments
In this portfolio, I used different tools to create these exceptional 3D Environments. These tools include 3DMax, Substances, and Zbrush. Full 3D stages and environment art works are presented. Full PBR texture pipeline and the latest tools and techniques for cloth sim and realistic hair and fur shader development are supported.
3D Environments
In this portfolio, I used different tools to create these exceptional 3D Environments. These tools include 3DMax, Substances, and Zbrush. Full 3D stages and environment art works are presented. Full PBR texture pipeline and the latest tools and techniques for cloth sim and realistic hair and fur shader development are supported.
3D Environments
In this portfolio, I used different tools to create these exceptional 3D Environments. These tools include 3DMax, Substances, and Zbrush. Full 3D stages and environment art works are presented. Full PBR texture pipeline and the latest tools and techniques for cloth sim and realistic hair and fur shader development are supported.
3D Environments
In this portfolio, I used different tools to create these exceptional 3D Environments. These tools include 3DMax, Substances, and Zbrush. Full 3D stages and environment art works are presented. Full PBR texture pipeline and the latest tools and techniques for cloth sim and realistic hair and fur shader development are supported.
3D Environments
In this portfolio, I used different tools to create these exceptional 3D Environments. These tools include 3DMax, Substances, and Zbrush. Full 3D stages and environment art works are presented. Full PBR texture pipeline and the latest tools and techniques for cloth sim and realistic hair and fur shader development are supported.
3D Environments
In this portfolio, I used different tools to create these exceptional 3D Environments. These tools include 3DMax, Substances, and Zbrush. Full 3D stages and environment art works are presented. Full PBR texture pipeline and the latest tools and techniques for cloth sim and realistic hair and fur shader development are supported.
3D Environments
4354142
I created some 3D environment illustrations by digital hand-painting strategy. Developing an Art Style Visual Development is the process where the art style of a game in defined, tuned and explored. The end result is an art style that fits with the target group, gameplay and story of the game. This phase is a close cooperation between the game director and the art director. It’s important for me that I understand and listen to my client in order to achieve the best result that fits their vision.
3D Handpainting
I created some 3D environment illustrations by digital hand-painting strategy. Developing an Art Style Visual Development is the process where the art style of a game in defined, tuned and explored. The end result is an art style that fits with the target group, gameplay and story of the game. This phase is a close cooperation between the game director and the art director. It’s important for me that I understand and listen to my client in order to achieve the best result that fits their vision.
3D Handpainting
I created some 3D environment illustrations by digital hand-painting strategy. Developing an Art Style Visual Development is the process where the art style of a game in defined, tuned and explored. The end result is an art style that fits with the target group, gameplay and story of the game. This phase is a close cooperation between the game director and the art director. It’s important for me that I understand and listen to my client in order to achieve the best result that fits their vision.
3D Handpainting
4354149
I designed environments keeping the style guide and story in mind. The best environments tell a story through the visuals. From the digital layout process, I will start the modeling process. I prioritize everything and start with the most important assets. Sometimes I will go in and sculpt details on the model depending on the style and the object. After it’s modeled, I give the assets color, shading and texture. In the end, I light the scene, this is where everything comes together, and the piece can be seen as a whole.
3D Rendering
I designed environments keeping the style guide and story in mind. The best environments tell a story through the visuals. From the digital layout process, I will start the modeling process. I prioritize everything and start with the most important assets. Sometimes I will go in and sculpt details on the model depending on the style and the object. After it’s modeled, I give the assets color, shading and texture. In the end, I light the scene, this is where everything comes together, and the piece can be seen as a whole.
3D Rendering
I designed environments keeping the style guide and story in mind. The best environments tell a story through the visuals. From the digital layout process, I will start the modeling process. I prioritize everything and start with the most important assets. Sometimes I will go in and sculpt details on the model depending on the style and the object. After it’s modeled, I give the assets color, shading and texture. In the end, I light the scene, this is where everything comes together, and the piece can be seen as a whole.
3D Rendering
I designed environments keeping the style guide and story in mind. The best environments tell a story through the visuals. From the digital layout process, I will start the modeling process. I prioritize everything and start with the most important assets. Sometimes I will go in and sculpt details on the model depending on the style and the object. After it’s modeled, I give the assets color, shading and texture. In the end, I light the scene, this is where everything comes together, and the piece can be seen as a whole.
3D Rendering
I designed environments keeping the style guide and story in mind. The best environments tell a story through the visuals. From the digital layout process, I will start the modeling process. I prioritize everything and start with the most important assets. Sometimes I will go in and sculpt details on the model depending on the style and the object. After it’s modeled, I give the assets color, shading and texture. In the end, I light the scene, this is where everything comes together, and the piece can be seen as a whole.
3D Rendering
I designed environments keeping the style guide and story in mind. The best environments tell a story through the visuals. From the digital layout process, I will start the modeling process. I prioritize everything and start with the most important assets. Sometimes I will go in and sculpt details on the model depending on the style and the object. After it’s modeled, I give the assets color, shading and texture. In the end, I light the scene, this is where everything comes together, and the piece can be seen as a whole.
3D Rendering
I designed environments keeping the style guide and story in mind. The best environments tell a story through the visuals. From the digital layout process, I will start the modeling process. I prioritize everything and start with the most important assets. Sometimes I will go in and sculpt details on the model depending on the style and the object. After it’s modeled, I give the assets color, shading and texture. In the end, I light the scene, this is where everything comes together, and the piece can be seen as a whole.
3D Rendering
I designed environments keeping the style guide and story in mind. The best environments tell a story through the visuals. From the digital layout process, I will start the modeling process. I prioritize everything and start with the most important assets. Sometimes I will go in and sculpt details on the model depending on the style and the object. After it’s modeled, I give the assets color, shading and texture. In the end, I light the scene, this is where everything comes together, and the piece can be seen as a whole.
3D Rendering
I designed environments keeping the style guide and story in mind. The best environments tell a story through the visuals. From the digital layout process, I will start the modeling process. I prioritize everything and start with the most important assets. Sometimes I will go in and sculpt details on the model depending on the style and the object. After it’s modeled, I give the assets color, shading and texture. In the end, I light the scene, this is where everything comes together, and the piece can be seen as a whole.
3D Rendering
4354157
In this portfolio, I created these pieces by either Unity or Unreal Engine. The environments below are for PUBG MOBILE, Cross Fire, and Call of Duty. I'm able to set up of environment assets in-engine with lighting, shader settings, etc. I deliver the whole package to the client ready to go– assets, shaders, lighting and all. I am highly experienced with working within Unreal Engine and Unity 3D and more.
Unity & Unreal Engine
In this portfolio, I created these pieces by either Unity or Unreal Engine. The environments below are for PUBG MOBILE, Cross Fire, and Call of Duty. I'm able to set up of environment assets in-engine with lighting, shader settings, etc. I deliver the whole package to the client ready to go– assets, shaders, lighting and all. I am highly experienced with working within Unreal Engine and Unity 3D and more.
Unity & Unreal Engine
In this portfolio, I created these pieces by either Unity or Unreal Engine. The environments below are for PUBG MOBILE, Cross Fire, and Call of Duty. I'm able to set up of environment assets in-engine with lighting, shader settings, etc. I deliver the whole package to the client ready to go– assets, shaders, lighting and all. I am highly experienced with working within Unreal Engine and Unity 3D and more.
Unity & Unreal Engine
In this portfolio, I created these pieces by either Unity or Unreal Engine. The environments below are for PUBG MOBILE, Cross Fire, and Call of Duty. I'm able to set up of environment assets in-engine with lighting, shader settings, etc. I deliver the whole package to the client ready to go– assets, shaders, lighting and all. I am highly experienced with working within Unreal Engine and Unity 3D and more.
Unity & Unreal Engine
In this portfolio, I created these pieces by either Unity or Unreal Engine. The environments below are for PUBG MOBILE, Cross Fire, and Call of Duty. I'm able to set up of environment assets in-engine with lighting, shader settings, etc. I deliver the whole package to the client ready to go– assets, shaders, lighting and all. I am highly experienced with working within Unreal Engine and Unity 3D and more.
Unity & Unreal Engine
In this portfolio, I created these pieces by either Unity or Unreal Engine. The environments below are for PUBG MOBILE, Cross Fire, and Call of Duty. I'm able to set up of environment assets in-engine with lighting, shader settings, etc. I deliver the whole package to the client ready to go– assets, shaders, lighting and all. I am highly experienced with working within Unreal Engine and Unity 3D and more.
Unity & Unreal Engine
In this portfolio, I created these pieces by either Unity or Unreal Engine. The environments below are for PUBG MOBILE, Cross Fire, and Call of Duty. I'm able to set up of environment assets in-engine with lighting, shader settings, etc. I deliver the whole package to the client ready to go– assets, shaders, lighting and all. I am highly experienced with working within Unreal Engine and Unity 3D and more.
Unity & Unreal Engine
4587532
In this portfolio, I used different tools to create these exceptional 3D Environments. These tools include 3DMax, Substances, and Zbrush. Full 3D stages and environment art works are presented. Full PBR texture pipeline and the latest tools and techniques for cloth sim and realistic hair and fur shader development are supported.
3D Environments
In this portfolio, I used different tools to create these exceptional 3D Environments. These tools include 3DMax, Substances, and Zbrush. Full 3D stages and environment art works are presented. Full PBR texture pipeline and the latest tools and techniques for cloth sim and realistic hair and fur shader development are supported.
3D Environments
In this portfolio, I used different tools to create these exceptional 3D Environments. These tools include 3DMax, Substances, and Zbrush. Full 3D stages and environment art works are presented. Full PBR texture pipeline and the latest tools and techniques for cloth sim and realistic hair and fur shader development are supported.
3D Environments
In this portfolio, I used different tools to create these exceptional 3D Environments. These tools include 3DMax, Substances, and Zbrush. Full 3D stages and environment art works are presented. Full PBR texture pipeline and the latest tools and techniques for cloth sim and realistic hair and fur shader development are supported.
3D Environments
In this portfolio, I used different tools to create these exceptional 3D Environments. These tools include 3DMax, Substances, and Zbrush. Full 3D stages and environment art works are presented. Full PBR texture pipeline and the latest tools and techniques for cloth sim and realistic hair and fur shader development are supported.
3D Environments
In this portfolio, I used different tools to create these exceptional 3D Environments. These tools include 3DMax, Substances, and Zbrush. Full 3D stages and environment art works are presented. Full PBR texture pipeline and the latest tools and techniques for cloth sim and realistic hair and fur shader development are supported.
3D Environments
In this portfolio, I used different tools to create these exceptional 3D Environments. These tools include 3DMax, Substances, and Zbrush. Full 3D stages and environment art works are presented. Full PBR texture pipeline and the latest tools and techniques for cloth sim and realistic hair and fur shader development are supported.
3D Environments
In this portfolio, I used different tools to create these exceptional 3D Environments. These tools include 3DMax, Substances, and Zbrush. Full 3D stages and environment art works are presented. Full PBR texture pipeline and the latest tools and techniques for cloth sim and realistic hair and fur shader development are supported.
3D Environments
In this portfolio, I used different tools to create these exceptional 3D Environments. These tools include 3DMax, Substances, and Zbrush. Full 3D stages and environment art works are presented. Full PBR texture pipeline and the latest tools and techniques for cloth sim and realistic hair and fur shader development are supported.
3D Environments
In this portfolio, I used different tools to create these exceptional 3D Environments. These tools include 3DMax, Substances, and Zbrush. Full 3D stages and environment art works are presented. Full PBR texture pipeline and the latest tools and techniques for cloth sim and realistic hair and fur shader development are supported.
3D Environments
In this portfolio, I used different tools to create these exceptional 3D Environments. These tools include 3DMax, Substances, and Zbrush. Full 3D stages and environment art works are presented. Full PBR texture pipeline and the latest tools and techniques for cloth sim and realistic hair and fur shader development are supported.
3D Environments
In this portfolio, I used different tools to create these exceptional 3D Environments. These tools include 3DMax, Substances, and Zbrush. Full 3D stages and environment art works are presented. Full PBR texture pipeline and the latest tools and techniques for cloth sim and realistic hair and fur shader development are supported.
3D Environments
In this portfolio, I used different tools to create these exceptional 3D Environments. These tools include 3DMax, Substances, and Zbrush. Full 3D stages and environment art works are presented. Full PBR texture pipeline and the latest tools and techniques for cloth sim and realistic hair and fur shader development are supported.
3D Environments
In this portfolio, I used different tools to create these exceptional 3D Environments. These tools include 3DMax, Substances, and Zbrush. Full 3D stages and environment art works are presented. Full PBR texture pipeline and the latest tools and techniques for cloth sim and realistic hair and fur shader development are supported.
3D Environments
4354142
I created some 3D environment illustrations by digital hand-painting strategy. Developing an Art Style Visual Development is the process where the art style of a game in defined, tuned and explored. The end result is an art style that fits with the target group, gameplay and story of the game. This phase is a close cooperation between the game director and the art director. It’s important for me that I understand and listen to my client in order to achieve the best result that fits their vision.
3D Handpainting
I created some 3D environment illustrations by digital hand-painting strategy. Developing an Art Style Visual Development is the process where the art style of a game in defined, tuned and explored. The end result is an art style that fits with the target group, gameplay and story of the game. This phase is a close cooperation between the game director and the art director. It’s important for me that I understand and listen to my client in order to achieve the best result that fits their vision.
3D Handpainting
I created some 3D environment illustrations by digital hand-painting strategy. Developing an Art Style Visual Development is the process where the art style of a game in defined, tuned and explored. The end result is an art style that fits with the target group, gameplay and story of the game. This phase is a close cooperation between the game director and the art director. It’s important for me that I understand and listen to my client in order to achieve the best result that fits their vision.
3D Handpainting
4354149
I designed environments keeping the style guide and story in mind. The best environments tell a story through the visuals. From the digital layout process, I will start the modeling process. I prioritize everything and start with the most important assets. Sometimes I will go in and sculpt details on the model depending on the style and the object. After it’s modeled, I give the assets color, shading and texture. In the end, I light the scene, this is where everything comes together, and the piece can be seen as a whole.
3D Rendering
I designed environments keeping the style guide and story in mind. The best environments tell a story through the visuals. From the digital layout process, I will start the modeling process. I prioritize everything and start with the most important assets. Sometimes I will go in and sculpt details on the model depending on the style and the object. After it’s modeled, I give the assets color, shading and texture. In the end, I light the scene, this is where everything comes together, and the piece can be seen as a whole.
3D Rendering
I designed environments keeping the style guide and story in mind. The best environments tell a story through the visuals. From the digital layout process, I will start the modeling process. I prioritize everything and start with the most important assets. Sometimes I will go in and sculpt details on the model depending on the style and the object. After it’s modeled, I give the assets color, shading and texture. In the end, I light the scene, this is where everything comes together, and the piece can be seen as a whole.
3D Rendering
I designed environments keeping the style guide and story in mind. The best environments tell a story through the visuals. From the digital layout process, I will start the modeling process. I prioritize everything and start with the most important assets. Sometimes I will go in and sculpt details on the model depending on the style and the object. After it’s modeled, I give the assets color, shading and texture. In the end, I light the scene, this is where everything comes together, and the piece can be seen as a whole.
3D Rendering
I designed environments keeping the style guide and story in mind. The best environments tell a story through the visuals. From the digital layout process, I will start the modeling process. I prioritize everything and start with the most important assets. Sometimes I will go in and sculpt details on the model depending on the style and the object. After it’s modeled, I give the assets color, shading and texture. In the end, I light the scene, this is where everything comes together, and the piece can be seen as a whole.
3D Rendering
I designed environments keeping the style guide and story in mind. The best environments tell a story through the visuals. From the digital layout process, I will start the modeling process. I prioritize everything and start with the most important assets. Sometimes I will go in and sculpt details on the model depending on the style and the object. After it’s modeled, I give the assets color, shading and texture. In the end, I light the scene, this is where everything comes together, and the piece can be seen as a whole.
3D Rendering
I designed environments keeping the style guide and story in mind. The best environments tell a story through the visuals. From the digital layout process, I will start the modeling process. I prioritize everything and start with the most important assets. Sometimes I will go in and sculpt details on the model depending on the style and the object. After it’s modeled, I give the assets color, shading and texture. In the end, I light the scene, this is where everything comes together, and the piece can be seen as a whole.
3D Rendering
I designed environments keeping the style guide and story in mind. The best environments tell a story through the visuals. From the digital layout process, I will start the modeling process. I prioritize everything and start with the most important assets. Sometimes I will go in and sculpt details on the model depending on the style and the object. After it’s modeled, I give the assets color, shading and texture. In the end, I light the scene, this is where everything comes together, and the piece can be seen as a whole.
3D Rendering
I designed environments keeping the style guide and story in mind. The best environments tell a story through the visuals. From the digital layout process, I will start the modeling process. I prioritize everything and start with the most important assets. Sometimes I will go in and sculpt details on the model depending on the style and the object. After it’s modeled, I give the assets color, shading and texture. In the end, I light the scene, this is where everything comes together, and the piece can be seen as a whole.
3D Rendering
4354157
In this portfolio, I created these pieces by either Unity or Unreal Engine. The environments below are for PUBG MOBILE, Cross Fire, and Call of Duty. I'm able to set up of environment assets in-engine with lighting, shader settings, etc. I deliver the whole package to the client ready to go– assets, shaders, lighting and all. I am highly experienced with working within Unreal Engine and Unity 3D and more.
Unity & Unreal Engine
In this portfolio, I created these pieces by either Unity or Unreal Engine. The environments below are for PUBG MOBILE, Cross Fire, and Call of Duty. I'm able to set up of environment assets in-engine with lighting, shader settings, etc. I deliver the whole package to the client ready to go– assets, shaders, lighting and all. I am highly experienced with working within Unreal Engine and Unity 3D and more.
Unity & Unreal Engine
In this portfolio, I created these pieces by either Unity or Unreal Engine. The environments below are for PUBG MOBILE, Cross Fire, and Call of Duty. I'm able to set up of environment assets in-engine with lighting, shader settings, etc. I deliver the whole package to the client ready to go– assets, shaders, lighting and all. I am highly experienced with working within Unreal Engine and Unity 3D and more.
Unity & Unreal Engine
In this portfolio, I created these pieces by either Unity or Unreal Engine. The environments below are for PUBG MOBILE, Cross Fire, and Call of Duty. I'm able to set up of environment assets in-engine with lighting, shader settings, etc. I deliver the whole package to the client ready to go– assets, shaders, lighting and all. I am highly experienced with working within Unreal Engine and Unity 3D and more.
Unity & Unreal Engine
In this portfolio, I created these pieces by either Unity or Unreal Engine. The environments below are for PUBG MOBILE, Cross Fire, and Call of Duty. I'm able to set up of environment assets in-engine with lighting, shader settings, etc. I deliver the whole package to the client ready to go– assets, shaders, lighting and all. I am highly experienced with working within Unreal Engine and Unity 3D and more.
Unity & Unreal Engine
In this portfolio, I created these pieces by either Unity or Unreal Engine. The environments below are for PUBG MOBILE, Cross Fire, and Call of Duty. I'm able to set up of environment assets in-engine with lighting, shader settings, etc. I deliver the whole package to the client ready to go– assets, shaders, lighting and all. I am highly experienced with working within Unreal Engine and Unity 3D and more.
Unity & Unreal Engine
In this portfolio, I created these pieces by either Unity or Unreal Engine. The environments below are for PUBG MOBILE, Cross Fire, and Call of Duty. I'm able to set up of environment assets in-engine with lighting, shader settings, etc. I deliver the whole package to the client ready to go– assets, shaders, lighting and all. I am highly experienced with working within Unreal Engine and Unity 3D and more.
Unity & Unreal Engine

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Experience

Senior 3D Art Designer

Tencent Games
Jan 2010 - Feb 2018 (8 years, 1 month)
I worked at Tencent Games for five years as Senior 3D Art Designers. I had participated in various PC and mobile games such as PUBG Mobile, Call of Duty, Cross Fire, and Reverse War.

Senior 3D Art Designer

Netdragon Websoft
Jun 2008 - Jan 2010 (1 year, 7 months)
When I worked in Netdragon Websoft, I worked as an game art designer. I had participated in various domestic games, such as "Dungeon Guardian", "Knight-errant" and "Battle Realms" production.

Education

Bachelor or Science in Industrial Design

Huazhong University of Science and Technology, China 2004 - 2008
(4 years)

Contact Jason Z. about your job

Log in to discuss any details over chat.

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Certifications

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Top Skills

Game Design
3D Rendering
Concept Design
3ds Max
3D Modelling

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